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Outfits >>> Replicas >>> Ritual dress for "rusalka" rite.

Time:
the 12th-16th century.
Ethnicity:
Russians and Slavs as a whole.
Age group of a wearer:
15-30 years old.
Social category of a wearer:
a village girl/woman.
Made by
Irina Zhoukova.

Extra-long-sleeved dresses were known in Russia between the 9th and the 19th centuries. They were used as an outfit for special occasions like celebrations and some rituals. False sleeves could be worn in a loose manner (like on the photo). Or, women fixed them with metal bracelets, makikg fancy folds.

Speaking of rituals, such a dress was mandatory for "rusalka" rites. Those rites were dedicated to spirits of trees and rain clouds. The word "rusalka" appeared in Slavic languages not earlier than 1600s. Before that time, Slavs named "rain maidens" as Veelahs or Mavkahs. Some Slavic peoples continue to use those ancient terms instead of modern "rusalka" even nowadays. Russians worshipped Veelahs till 1550s. After that, ladies of rain were almost forgotten in Russia. Their cult persisted in several regions only. However, among Balkanian Slavs, Veelahs were worshipped on a regular basis even at the end of 1890s.

In case of a drought, rain maidens' ritual should be performed right at a grain field. As a part of a worship, a water had to be poured over a head of a priestess who wore a "rusalka" dress. Drops that oozed from wet long sleeves symbolized a rain needed. In accordance to archaic magic, that should produce a real rain. If a weather was normal, Veelahs' rite was a part of a regular "rusalka week" celebration. Dodola priestesses danced in a grove on a river bank then. They waved their hands with "wings" (false sleeves) to attract an attention of "sisters from clouds" to a grain field and sprouts.

The picture engraved on silver bracelets of the 12th century depicts dodolas in their ritual dresses. Waves on sleeves symbolize water and rain (a wave is a sign for water in all Slavic cultures). One woman holds a cup in her hands. In agricultural beliefs of Eurasia, drinking and pouring of water was thought as the best way to bewitch a rain.

Being dedicated to spirits of trees and water, a "rusalka" dress should be made pure white, without any red or calico parts. Red color was a symbol of fire. It was unlikely that Veelahs would approve any trace of fire in an outfit of their priestesses. The only decoration allowed there included a "white-on-white" needlepoint and a white lace.

A waistband was not allowed for a "rusalka" outfit too. So did a necklace. Those two were considered by Slavs as a proof of a human nature of a wearer (spirits have never worn belts). However, certain rites (a "rusalka" one was among them) required participants to demonstrate their respect to spirits by taking off belts, strings of beads, and Christian crosses (that's why a red necklace on a dress owner's neck is a double mistake).

A false sleeve ("a wing") of a dress should be sewn extremely long and narrow. On a wrist level there was a hole for a hand. A decorative cut between a shoulder and an elbow was an usual detail for Russian shirts and dresses of the 14th - 17th centuries. A cut could be embellished with lace or an embroidery.


Sources (in Russian)
  1. Russian Costume of the 15th - 19th centuries, a State History Museum Exposition (a photoalbum)
  2. "Russian Traditional Life" (encyclopedia)
  3. B.A.Rybakov, "Paganism of Ancient Slavs"
  4. B.A.Rybakov, "Paganism of Ancient Russia"
  5. V.Ya.Propp, "Morphology of a Folktale" (avaliable in English)
  6. A.A.Potebnya, "Semantics of Some Old Russian Rites and Beliefs"